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Christopher Brookmyre - Page 1
Christopher Brookmyre
Attack of the Unsinkable Rubber DucksAttack of the Unsinkable Rubber Ducks New02 Aug 07
A Tale Etched in Blood and Hard Black PencilA Tale Etched in Blood and Hard Black Pencil Newpbk 05 Apr 07
All Fun and Games Until Somebody Loses an EyeAll Fun and Games Until Somebody Loses an Eye
Be My EnemyBe My Enemy
The Sacred Art of StealingThe Sacred Art of Stealing
Audio Titles
Christopher Brookmyre on Be My Enemy
Christopher Brookmyre on A Tale Etched In Blood And Hard Black Pencil
Email: chrisb@cbrook.globalnet.co.uk
WebPage: http://www.brookmyre.co.uk
About the Author (Photo (c) charlie Hopkinson)
Bibliography



New First British Edition Little,Brown (2007)
Buy at Amazon.co.uk Attack of the Unsinkable Rubber Ducks
Do you believe in ghosts? Do we really live on in some conscious form after we die, and is that form capable of communicating with the world of the living?
Aye, right
That was Jack Parlabane’s stance on the matter, anyway. But this was before he found himself in the more compromising position of being not only dead himself, but worse: dead with an exclusive still to file.
From his position on high, Parlabane relates the events leading up to his demise, largely concerning the efforts of charismatic psychic Gabriel Lafayette to reconcile the scientific with the spiritual by submitting to controlled laboratory tests.
Parlabane is brought in as an observer, due to his capacities as both a sceptic and an expert on deception, but he soon finds his certainties crumbling and his assumptions turned upside down as he encounters phenomena for which he can deduce no rational explanation. Perhaps, in a world in which he can find himself elected rector of an esteemed Scottish university, anything truly is possible.
One thing he knows for certain, however: death is not the end – it’s the ultimate undercover assignment.

Praise for Christopher Brookmyre
'One of the funniest writers in Britain . Moments of exquisite Brookmyre inspiration' Guardian
'A great rollicking tale that's not for the faint-hearted' Observer
'Another astonishing performance, travelling deeper and more movingly into human emotions without sacrificing its comic zest or meticulous plotting' The Times
'Brookmyre's finest novel yet' Metro
'The kind of thing Agatha Christie might have written if she'd been off her tits on manky crack' Time Out
'Gritty mix of devious crooks and a high body count' Sun
'Brookmyre is a mischievous satirist and here he is at his best' Telegraph
'The master of misdirection' Sunday Express


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First British Edition Little,Brown (2006)
Paperback - Abacus (2007)
Buy at Amazon.co.uk A Tale Etched in Blood and Hard Black Pencil
We could tell you about the bodies.
We could tell you their names, where they were found, the state they were in.
We could tell you about the suspects too, the evidence, the investigators, join a few dots, even throw you a motive.
But what would be the point? You’re going to make your own assumptions anyway. After all, you know these people, don’t you?
You went to school with them. We all did.
Granted, that was twenty years ago, but how much does anybody really change? Exactly. So if you really knew them then, you’ll already have all the answers.
That is, if you really knew them then ...

Put on your uniform and line up in an orderly fashion for the funniest and most accurate trip back to the classroom you are likely to read and a murder mystery like nothing that has gone before it. Forget the forensics: only once you’ve been through school with this painfully believable cast of characters will you be equipped to work out what really happened decades later.
Even then, you’ll probably guess wrong and be made to stand in the corner.
Christopher Brookmyre on A Tale Etched In Blood And Hard Black Pencil
In His Own Words…

A Tale Etched In Blood And Hard Black Pencil is a small-town murder mystery, which is quite a departure for me—no underground bases or rocket-launchers—though as it’s largely dealing with school days, there’s ample scope for over-the-top violence. It begins with the discovery of two bodies on the outskirts of a town near Glasgow, and it quickly becomes clear to the detective in charge of the investigation that not only was one of the victims in her class at school, but so were both of the suspects now in custody. Instead of a forensic investigation into the physical evidence, the story emerges by tracing the childhoods of a group of characters from their first day in Primary 1 to the night of their high-school leaving dance, twenty years ago.
Almost every childhood incident in this book is based on events that happened during my own school days. I decided that rather than make things up, I would mine my own memories in order to concentrate more on developing original characters and examining the ways in which these events shaped them as they grew up.
I think most people, whatever their provenance, will be able to identify with the events and characters in this book, and will therefore be able to deduce what is being referred to even if the words are not familiar. For people not from Scotland, it might even add to the fun when they think back and remember their own terms for the same things and realize that their school was much the same, geography notwithstanding. My editor initially suggested a glossary just for the website—www.brookmyre.co.uk—but when I submitted it, it went down so well with everyone at the publishers that they insisted it go in the book. The joke is that many of the definitions require as much knowledge of Glasgow dialect as they ostensibly attempt to explain.

Praise for Christopher Brookmyre
‘Funny, electric and captivating’ The Times
‘Definitely in a league of his own’ Daily Mirror
‘This is the book I would want if I were marooned on a desert island or lost in space’ Independent
‘Achingly funny. A Scottish version of Straw Dogs with sharp political observation’ Sunday Times


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Paperback - Abacus (2006)
First British Edition Little,Brown (2005)
Buy at Amazon.co.uk All Fun and Games Until Somebody Loses an Eye
As a teenager Jane Bell had dreamt of playing in the casinos of Monte Carlo in the company of James Bond, but in her punk phase she'd got herself pregnant and by the time she reaches forty-six she's a grandmother, her dreams as dry as the dust her Dyson sucks up from her hall carpet every day. Then her son Ross, a researcher working for an arms manufacturer in Switzerland, is forced to disappear before some characters cut from the same cloth as Blofeld persuade him to part with the secrets of his research. But they are not the only ones desperate to locate him. A team of security experts is hired by Ross's firm: headed by the enigmatic Bett, his staff have little in common apart from total professionalism and a thorough disregard for the law. Bett believes the key to Ross's whereabouts is his mother, and in one respect he is right, but even he is taken aback by the verve underlying her determination to secure her son's safety as she learns the black arts of quiet subterfuge and violent attack. The teenage dreams of fast cars, high-tech firepower and extreme action had always promised to be fun and games, but in real life it's likely someone is going to lose an eye ...
'A sharp, memorable and occasionally surprisingly touching book' Evan Ferguson, Observer
'Memorably funny lines' Daily Telegraph
'Funny, electric and captivating' Marcel Berlins, Times


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British Pbk Original - Little,Brown (2004)
Buy at Amazon.co.uk Be My Enemy
For investigative journalist Jack Parlabane, these are worrying times: it’s been almost three years since anyone tried to kill him and he fears he’s losing his touch. But then comes an assignment in the Scottish countryside that will more than make up for lost time ...
Ultimate Motivational Leisure offers the latest in corporate outward bound courses, the sort of team-building exercises that Jack thinks are decidedly for bankers. The organisers, however, are keen to overturn his prejudices, while Jack is happy to have them reinforced. If nothing else, he gets a free weekend of shooting at PR people with a paintball gun.
Except the longer the weekend goes on, the weirder things start to get. First someone steals the SIM cards from everyone’s mobile phones. Then, when the group accidentally strays on to army land, the army starts firing back - and not with cans of Dulux. Suddenly no one can tell what’s real and what isn’t, whether this is part of the game, or if everybody is fighting for their lives ...
Ferociously unpredictable. Bitingly funny. Action-packed to perfection. Be My Enemy finds Christopher Brookmyre on top form - and you’ll never look at a snooker table in the same way again.

Christopher Brookmyre on Be My Enemy
In His Own Words…

Be My Enemy was my belief that inside each of us there is a little fascist who would like to silence anybody who disagrees with our point of view, and the book is an attempt to explore what happens when that nasty little instinct goes unchecked. To create my own diabolical little laboratory for this, I placed a number of characters, previously unknown to one another, in a self-contained and isolated environment: a Highland country house hotel where they are tucked away for a corporate team-building weekend. Add alcohol and edged weapons, then mix thoroughly...
In the case of most, this inner-fascist is merely a matter of political intolerance, and to that end the novel harks back to the more polarised politics of the Thatcher era: the lefties painting the right-wingers as bigots and oppressors, the right-wingers painting the lefties as disloyal subversives who needed to be cracked down upon. Twenty years on, the divisions and prejudices are still raw, though both sides are objecting to what they presume the other lot to believe rather than engaging in sufficient discourse to actually find out.
The more extreme manifestation of the inner fascist, however, is the mindset — increasingly prevalent post 9/11 — that believes we could make the world a safer place if we just wiped out the bad guys. It’s a simplistic, vigilante philosophy that would happily allow the security forces dish out some “instant justice” — as long as it’s people we disagree with on the receiving end. Our inner fascist would love to believe there was some super-elite, secret-agent unit capable of stealthily wiping out the Bin Ladens of the world, so as an exercise in cautioning people to be careful what they wish for, this book deals with the bloody and disastrous consequences when someone decides to create just such a force. As Jack Parlabane muses when it’s suggested that the answer to terrorism is “fighting fire with fire” — “I don’t imagine Red Adair’s with you on that one.”


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Paperback - Abacus (2003)
First British Edition Abacus (2003)
Buy at Amazon.co.uk The Sacred Art of Stealing
Let us prey ...
The press tend to talk about bank robberies as being daring, ingenious and audacious. They don’t describe many as Dadaist, even the ones who know what `Dadaist’ means. But how else does one explain choreographed dancing gunmen in Buchanan Street, or the surreal methods they use to stay one step ahead of the cops?
Angelique de Xavia is no art critic, but she is a connoisseur of crooks, and she’s sure that the heist she got caught up in wasn’t the work of the usual sawn-offs-and-black-tights practitioners indigenous to the parish. She knows she’s dealing with a unique species of thief, and it’s her job to hunt him to extinction - though the fact that it’s not just his m.o. that’s cute might prove a distraction.
This thief, however, has greater concerns than his own safety, and a secret agenda more valuable than anything he might steal. He can afford to play cat and mouse with the female cop who’s on his tail; it might even arguably be necessary. What he can’t afford is to let her get too close: he could end up back in jail, which holds terrors enough; but even more scary, he could end up in love.
Honesty is a virtue. Deceit is a talent. Theft is an art form.
The Sacred Art of Stealing: prepare to be misled.

‘Christopher Brookmyre is a genius’ Mirror
‘Brookmyre confounds your expectations with intriguing regularity ... a cracking read’ Heat
‘The Glesca Polis ought to thank its lucky stars that Brookmyre is merely devising cunning and hugely entertaining crime novels, rather than heists of his own’ Sunday Express
‘So intelligent, it should have its own Mensa category’ Daily Record
‘Brookmyre confounds your expectations with intriguing regularity ... a cracking read’ Heat
‘Criminally funny’ The Times


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About The Author
Christopher Brookmyre has gone from having a huge cult following to being a top ten Sunday Times bestselling author. Very dry, sharp and intelligent, he's a regular on BBC Radio 4's 'Quote, Unquote' and various programmes on BBC Scotland, and a few months ago he even made his stand up debut at London's Comedy Store.
Christopher's writing is known for its satire, intelligence and irreverence and he's been named the 4th coolest author in the world by a brandleaders survey (below J.K. Rowling, Dan Brown and Philip Pullman). James Nesbitt starred in a TV adaptation and a future series is upcoming .
in his own words… The important stuff:
Christopher Brookmyre first hit the British bookshelves in the summer of 1996 with Quite Ugly One Morning, a scurrilous satire on the then Conservative government’s NHS reforms. The book won the inaugural Critics’ First Blood award for the best first crime novel of the year, but is destined to be remembered principally for featuring a huge jobbie on a mantelpiece in its opening chapter.
Its sequel, Country Of The Blind, (out in paperback this June) provided a second outing for morally ambiguous uber-hack Jack Parlabane, this time tenaciously probing who killed media-mogul Roland Voss (not least because Parlabane would have quite liked to do it himself).
Brookmyre’s third novel, the Los Angeles-set Not The End Of The World, will be published in hardback in July, taking on millennial hysteria, Christian fundamentalism, pornography, cheesy b-movies and bad hair. It has been described as “gloriously unsound” and is extremely unlikely to be among the Daily Mail’s books of the year.
The less important stuff:
Christopher Brookmyre was born in Glasgow in 1968, and has worked as a journalist in London, Los Angeles and Edinburgh, contributing to Screen International, The Scotsman, the Edinburgh Evening News and The Absolute Game. Contrary to the official version, Quite Ugly One Morning was in fact his fourth novel, but the first one to find a publisher. It followed two veritable duffers and a more promising third, which has subsequently been optioned for a film adaptation. He is married with no parasitic spawn.
The downright trivia (you have been warned):
Religion: St Mirren supporter since age eight. Attended Hammarby game. Underwent lengthy counseling. Also suffers from Hibby sympathies due to many years’ residence near Easter Road. Open to financial offers not to support your team as well. Detests the Old Firm with a passion, but feels sorry for their supporters, who presumably seek to associate themselves with the might of these spoiled giants to compensate for the desolate nothingness that is their lives.
Influence and inspiration (because someone always asks): Bill Hicks, Billy Connolly, Billy Franks, Robertson Davies, Jeff Torrington, Douglas Adams, Carl Hiaasen, Iain Banks, Terry Gilliam, Joel Silver, James Cameron, Warren Zevon, Manic Street Preachers, Indigo Girls, Teenage Fanclub, Mike Scott, Mutton Birds, The Skids …
Email: chrisb@cbrook.globalnet.co.uk

Christopher Brookmyre's first novel, Quite Ugly One Morning, won him the inaugural Fresh Blood Award for the best debut crime novel and held off Iain Banks as Scotland's number one bestseller in paperback. By the time his second, County of the Blind, was published, the media hailed Brookmyre as a star of the Scottish literati (with Warner and Welsh) and rewarded him with the dubious distinction of inventing tartan noir. His third novel Not the End of the World, is a story of fundamental religion and millennial hysteria with a heavy dose of Hollywood's porn industry thrown in.
Brookmyre is outselling Rankin in Scotland - His last novel The Sacred Art Of Stealing sold over 40000 copies. Not only that but, Brookmyre's infamous detective Parlabane, played by Douglas Henshaw, made his radio début in a play broadcast on BBC Radio 3 in January 04. Along with a cast of Scottish sports journalists (Richard Gordon, David Begg and Murdo McLeod) playing themselves and commenting on an armed robbery, Bampot Central featured Brookmyre himself as a policeman. There is also a TV series in development.
Chris lives near Glasgow with his wife, his son and his St Mirren season ticket.

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Bibliography
N.B. dates and publishers in dark red indicate British First Editions. Dates and publishers in black indicate recent reprints.

  • Attack of the Unsinkable Rubber Ducks (Little,Brown, 2007) New Aug 07
  • A Tale Etched in Blood and Hard Black Pencil (Little,Brown, 2006) Abacus Pbk Apr 07 (Jack Parlabane)
  • All Fun and Games Until Somebody Loses an Eye (Little,Brown, 2005) Abacus Pbk Apr 06
  • Be My Enemy (Little,Brown Pbk, 2004)
  • The Sacred Art of Stealing (Abacus, 2003) Little,Brown Oct 02 Abacus Pbk Sep 03
  • A Big Boy Did It and Ran Away (Abacus Pbk, 2001)
  • Boiling A Frog (Little,Brown Pbk, 2000)
  • One Fine Day in the Middle of the Night (Little,Brown, 1999) Abacus Pbk Aug 00 (Jack Parlabane)
  • Not the End of the World (Little,Brown, 1998)
  • Country of the Blind (Abacus, 1997) Abacus Pbk 1998 (Jack Parlabane)
  • Quite Ugly One Morning (Little,Brown, 1996) Abacus Pbk 1997 (Jack Parlabane)

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