Review:
Rhode Island Red by Charlotte Carter.
Serpent's Tail £11.99 Hbk, £7.99 Pbk
This is a racy, amusing and frantic whirl through
Manhattan with Nanette, a black, street saxophonist with a masters degree in French.
Her life is simple enough to start with; a straightforward matter of whether or not her
on-off lover Welter is in or out of favour. Then by chance, Nanette meets a fellow
musician called
Sig who declares his undying love for her and ends up dead in her
apartment on the day of their first meeting.
Things then go from bad to worse as we are
introduced to Leman Sweet, the toughest cop in town who is relentlessly pursuing the truth
regarding the death of his undercover pal. He and Nanette develop a mutual
loathing of each other but her life becomes sweeter as she meets a dashing Greek, Henry.
He has an obsession with Charlie Parker and seeks the help of Nanette in furthering his
knowledge. They have a whirlwind affair before the action takes on a different flavour and
corpses start appearing with great regularity.
Suddenly, Nanette is dealing with all sorts of
threats and decides to take matters into her own hands. The fascinating question which
isn't answered is who or what is Rhode Island Red? Nanette is an engaging character who
combines an earnest concience (whom she names Ernestine) with a pathological ability to
lie, particularly to her mother. The jazz theme runs very deep throughout the pages
and at times, there is a quite musical lilt and poetry in the writing. The climax is
excellent and quite unexpected. It kept me guessing until very near the end.
I read this in one sitting and thoroughly enjoyed
it.
Lynda Ross
A TW Recommended Title.
Review:
The Monkey's Mask by Dorothy Porter
Serpent's Tail Pbk £9.99
The most unusual, not to say remarkable, read in
crime fiction this year, The Monkeys Mask is a narrative poem. And its in
blank verse. But dont let that put you off. This is not your average flowery words
job; this is hard-edged, profane, street-smart, full of indelible images, and above all,
overflowing with emotion. And it holds you in its velvet grip from the first verse
paragraph to the final haunting pages.
I want you, trouble / on the rocks
demands Jill Fitzpatrick, Porters prosaically named lesbian P.I. And trouble is what
she gets. In what starts out as a conventional investigation, trouble comes first in the
shape of the missing Mickey Norris, a teenage poetess with a crush on two males of the
species and a nice line, it transpires, in raunchy victim poetry. Trouble also
comes in the form of Mickeys ex-poetry professor, the nail-bitten Dr.
Diana Maitland and Nick, her leftie lawyer spouse.
Jill is impressed with Diana. The affair, for Diana
swings both ways, starts in an embarassingly banal fashion. In what are probably
(intentionally?) the worst lines in the book, Jill remarks, Shes gritty /
shes bright / oh Christ help me / shes a bit of alright. Fortunately
the verse soon shifts into new heights of fervour. Which is just as well, for the lusty,
perverse relationship of Jill and Diana is central to the development of both theme and
plot, taking us into a seething world of erotic obsession.
The main problem for mystery fans is the restricted
canvas of the story. Blank verse scattered across even 260 pages leaves little scope for
the precise settings or the detailed characterisation of the modern crime novel, or even a
varied list of suspects. Nevertheless the pace is swift; clues are appropriately dropped
and, from time to time, red herrings cross the trail. But what leaves this book
fermenting in the memory is both the passion and the precision of Porters writing. and
something else / sweaty, nasty / like a missionary / with a prayer book / in one hand /
and a damp erection / in the other. Finally, like Jill, youll know
that poetry can be as sticky as sex.
Bob Cornwell
Review:
Hung Jury by
Rankin Davis
Hodder £16.99
When the Prime Minister's brother is kidnapped
during the closing stages of a high profile trial, you can bet the best brains, the
beefiest men, and the most macho technology will be brought in to find him. The trouble
is, that the eco-terrorists who are holding the Attorney General hostage have the same
technology to hand, and are less scrupulous about its use than the more squeamish
special
services of HMG.
The story switches in short, snappy scenes, from the
jurors, trying to decide the guilt or innocence of Dr Jenny Fox, accused of the brutal
murder of Dr Charles Eastman, and the security services charged with finding the Attorney
General.
Dr Fox has been investigating the 'Circle of
Poison' - the devastating effects of chemical pesticides to ordinary people who are
unwittingly and callously exposed to them by cynical multinationals interested only in
making a fast buck. Dr Eastman was her fiercest critic; now he is dead, and the
prosecution has video evidence which implicates Dr Fox.
The courtroom action, and the development of
affiliations and enmity among the jurors is stronger than the interaction between the
security personnel and the terrorists. The shorthand tagging of the twelve with 'monikers'
as an aide-memoir helped: we have Denzel, as in Washington, Pitbull, whose character is
about as charm less as the canine of the same name, and so on. Their characters do develop
along less caricatured lines (perhaps a little late in the story), and we gain some
insight into their individual psychology.
I felt that the special services scenes got rather
bogged down with technical detail earlier on, but, as the Prime Minister becomes involved
on a personal level, the action gains pace and interest. On a point of technical detail
however, the administration of insulin to a hypoglycaemic patient is likely to kill him,
not effect a cure...
The climax is a parallel cliff-hanger involving,
separately, the jurors and the Attorney General' s kidnappers. The jury, unaware of the
growing concern for the Prime Minister's brother and that their decision will dictate
whether he lives or dies, must weigh the evidence presented to them. Will they be swayed
by the arguments of the one man who has the courage to stand against the rest?
Margaret
Murphy
Review:
Top Banana by Bill James
Pan Pbk £5.99
I don't know whether it's the craggy face on the
dust jacket or the title which I find least inspiring about this book, but despite the
reputation of the writer and a good narrative idea, this novel doesn't quite work for me.
It is well-written and controlled, the dialogue is effective and hard-hitting but it fails
to hold my attention partly because of the fragmented nature of the plot development and
partly
because none of the characters engage my interest, respect or sympathy long
enough for me to care about what happens to them. They are all distasteful and unlikeable
whether they be 'good guys' or 'bad guys' and so I don't care much whether they succeed or
fail in their attempts to find the killer of thirteen year old Mandy Walsh.
She was gunned down in the street, caught in the
crossfire between rival drug gangs. For Chief Constable Lane there is only one option -
infiltrate the drug syndicates and rid his patch of this menace. His deputy, ACC Desmond
Iles has a better idea: let the gangland police itself in return for a few 'favours'.
As his superiors battle out their animosity and
petty internal politics, DCS Colin Harpur looks more closely into Mandy's death and begins
to find that close examination of the evidence tells a different story. Mandy was not
killed accidentally by warring gangs but was deliberately taken out by an unknown and
unseen third gunman. The question is for whom was he working and who stands to benefit
most by the death of a young drug courier?
These overtones of the Kennedy assassination with
the search for the third killer in the almost hidden alleyway could make for a complex and
intriguing story on its own, but Bill James chooses to complicate matters by concentrating
much more on the internal battles between the law officers and their differing ideas of
how to proceed. The search for the gunmen involved in the battle of Sphere Street, known
here as 'Kalashnikov Man' and 'Sailor Billy' just fades into the background and is quietly
allowed to disappear, unresolved and unsatisfactorily.
He also introduces us to the drug barons, one of
whom is Mansel Shale, the "Top Banana" of the title. He is so unbelievable as
the most important gang leader as to be almost risible. Vain, affected, neurotic, he
regards his life's ambition as reaching a position of equality with the Chief Constable
and negotiating with him the terms for policing 'the manor' while maintaining all outward
appearance of a completely normal, legal lifestyle.
Add to this the involvement of an undercover copper
supplying Shale with inside police information and you have an over-complicated book which
misses its mark by trying to do too much. The "Top Banana" has a skin which
proves to be its own slippery undoing.
Frank Brown
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