Page Updated: 20/03/2006
William Brodrick
William Brodrick
The Gardens of the DeadThe Gardens of the Dead New16 Mar 06
The Sixth LamentationThe Sixth Lamentation
Q&A with William Brodrick New Mar 06
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About the Author (Photo (c) Michael Trevillion)
Bibliography



Hardback
Little,Brown (2006)
Buy at Amazon.co.uk The Gardens of the Dead
In his first novel, The Sixth Lamentation, William Brodrick introduced Father Anselm, the barrister turned monk who found himself plunged into the tangled history of occupied Paris. Now, in The Gardens of the Dead, Father Anselm is brought back to his own past at the Bar, and someone else’s secrets.
Elizabeth Glendinning QC has lost faith in the legal system to which she has giver her life. In an attempt to restore it, she secretly devised a scheme to bring a guilty man back to court - Graham Riley, who she had successfully defended some ten years previously. As part of an elaborate contingency plan, Elizabeth leaves the unsuspecting Anselm with a key to a safe deposit box, to be opened in the event c her death. Three weeks later she is found dead in the East End of London.
Once the box has been opened, a chair of events is triggered as if from beyond the grave, and Anselm is led to fulfil what Elizabeth has begun.
A powerful portrait of the dark heart London and a tense thriller, The Gardens of the Dead confirms William Brodrick’s growing critical reputation.

Praise for The Sixth Lamentation
'William Brodrick has written a tense, sophisticated, wholly convincing novel of suspense. This is a remarkable debut.' Michael Holroyd
'Worthy of Carre at his best' Alan Massie
`This is a first novel, and although incredibly complex, a wonderful one’ The Times Gitta Sereny
‘Such a combination of narrative mastery, psychological insight and moral vision suggests a John le Carre in the making.’ Daily Telegraph Francis King
`the kernel of the novel comes from his mother’s own story. But it is not necessary for the book to have such an origin to confirm its authenticity. It is authentic because it has been sufficiently well imagined to be utterly convincing. That is to say, it has the merits of a work of art, whatever its provenance: a remarkable first novel.’ Scotsman Allan Massie
‘Brodrick writes well about age and memory, buried pasts and the consequences of opening them up.’ Guardian Chris Petit
`He is also a dab hand at plotting. The twists and turns of this tale of betrayal and retribution are labyrinthine ... as a page-turner, The Sixth Lamentation is a triumph.’ Independent Peter Stanford
`William Brodrick’s highly intelligent first novel is an original exploration of law, theology and the past.’ Sunday Telegraph Edward Smith
`he writes with a wisdom and poignancy that makes this a compelling novel.’ Sunday Herald
`a remarkable and deep novel, with several inter-leaving themes and a cast of utterly convincing characters.’ The Oldie Margaret Yorke
`This is a remarkable novel, and puts Brodrick in the frame for crime-writing debut prizes’ Sunday Times John Dugdale
`Subtle, diffuse, morally convoluted and impossible to put aside, this is a wonderful thriller.’ Daily Telegraph Toby Clements
‘Brodrick keeps the story going at a cracking pace, flitting back and forth between its various elements, characters and eras with time so expert the reader is compelled to keep turning the pages.’ Time Out Nigel Kendall


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Paperback - timewarner (2004)
First British Edition Little,Brown (2003)
Buy at Amazon.co.uk The Sixth Lamentation
A Richard and Judy Book Club Choice 2005
A man arrives at Larkwood Monastery claiming sanctuary. Edward Schwermann is accused of Nazi war crimes: the chances are he's stained with blood, but politics demand that Larkwood shelter him. And Schwermann has intimated that the Church offered him sanctuary once before, during the war. It is this potentially embarrassing claim which brings Father Anselm onto centre stage. Once a lawyer, Anselm is sanctioned to make discreet enquiries in Rome, but as he edges towards the truth behind Schwermann's crimes, his renewed contact with the outside world threatens to overwhelm his fragile spiritual identity. For Agnes Embleton, seeing Schwermann's face on the television has brought back a flood of memories: of Paris, of The Round Table, a group of idealistic students who tried to save thousands of Jewish children from deportation, of the Frenchman who betrayed them and of Schwermann, the German officer who sent the children to their deaths. But what Agnes doesn't know and Anselm discovers is the personal investment Schwermann had in The Round Table, the silent bargains made by its members and the true extent of Schwermann's final treachery.


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About The Author
William Brodrick was born in Bolton, Lancashire in 1960. Having lived in Canada since he was eleven, he went to school in Australia and England, and went on to take a BA in Philosophy and Theology, then a MTh (Master of Theology) and a Degree of Utter Barrister.
Brodrick worked on a logging camp in British Columbia, Canada, before joining the Augustinian Friars (1979-1985). He began his life as a friar in Dublin, Ireland, based on a farm that deployed Iron Age techniques bringing him very close to nature. After several years as a friar, he left the order to help set up a charity at the request of Cardinal Hume, The Depaul Trust, which worked with homeless people. In 1991 he became a barrister. He holds British and Canadian citizenship and is married with three children with whom he lives in France.
In his own words:
‘A reflective individual made more so in adolescence by a major car crash involving my parents. My father had a stroke a year later and never spoke again, save to swear; or walk, save to hobble. My mother nursed him for to years, until he died; then she contracted motor neurone disease and died shortly afterwards. Throughout was a seemingly endless civil action for damages. When the settlement cheque came through it was co-extensive with the debts that had accrued. Oddly enough, this was the area of law to which I eventually turned.
I grew up in damp southeast Lancashire, scalding hot Queensland, and temperate Vancouver Island: three different environments and cultures with nothing to bind them together. By the age of eighteen I had enjoyed a varied existence making me a wanderer, intellectually and spiritually. Perhaps that is why I loved the stories of Russian pilgrims walking hundreds of miles over the steppes to tiny shrines, eschewing vodka and devouring scripture. And with a trace of that mystical spirit of adventure I joined religious life. I left 5 years later, to my surprise, on the same pilgrim route. To ask me why is to ask for part of the stuff from which my future books will spring. And between their covers is where the answer will lie.
I worked with homeless people - which was a deeply influential experience - and then trained for the Bar - later specialising in personal injury law. I had only just begun to shape my practice when I fell ill with cancer. With sudden uninvited acuity I realised that life is a single chance; no second goes; and from that moment an insidious restlessness dismantled what might have been a fruitful professional life. In the end I knew I had to write, for reasons I could not fathom, and took six months off to devote myself to doing it. Within days I realised that this was what I had always wanted to do - since I was a child when, aged nine, I had written my first book, The Origins of the First World War, with illustrations by the author.’
In a sort of argument with providence, I applied to be a Deputy District Judge at the same time as I began preparing my novel. If appointed I knew I would probably never finish the book. So by applying I was setting up a road that diverged in two: the law in one direction, and writing the other. To my surprise, I was called for an interview, but was duly knocked back: I remain profoundly grateful to the Lord Chancellor’s Department for their uncharacteristic perspicacity. From then on the road to my future, whatever it might be, was open and wide, and I entered it with a lightness of step that eventually led to my first novel - The Sixth Lamentation’.
His second novel, The Gardens of the Dead is in part tribute to the period he spent working with the homeless after leaving religious life and before coming to the Bar. He worked at the Passage Day Centre in Victoria, London and subsequently at the Depaul Trust. He wanted to capture in this novel, something of the wonderful people he met, and tell something about their stories and wisdom. He says, `Many of them, while on the move and without a home, had `arrived’ in a spiritual sense beyond anything I could hope for’. Hence the theme of pilgrimage, the homeless person as a kind of Desert Father or mystic. His other aim was to provide an insight into some of the dangers of the street, and how some young people can be lost to the protection of law.
Music is his particular love and he plays the piano, guitar and trumpet. In his spare time, he also paints watercolours and is interested in black and white photography.

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Bibliography
N.B. dates and publishers in dark red indicate British First Editions. Dates and publishers in black indicate recent reprints.

  • The Gardens of the Dead (Little,Brown, 2006) New Mar 06
  • The Sixth Lamentation (Little,Brown, 2003) timewarner Pbk Apr 04

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