Page Updated: 09/09/02
R.M. Eversz
R.M. Eversz
Killing Paparazzi: A Coming of Rage StoryKilling Paparazzi: A Coming of Rage Story Newpbk 07 Jun 02
Shooting Elvis: Confessions of an Accidental TerroristShooting Elvis: Confessions of an Accidental Terrorist
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About the Author
Bibliography



First British Edition Pan (2001)
Paperback - Pan (2002)
Buy at Amazon.co.uk Killing Paparazzi: A Coming of Rage Story
Life shouldn’t be so complicated…
On the day of her release from a five-year prison sentence, former baby-portrait photographer Nina Zero marries an English paparazzo desperate for a green card and uses the cash to buy a 1976 Cadillac Eldorado and a hot camera. Her family had disowned her. Friends shun her. No employer thinks her fit to hire. What better way then for an ex-con to make a living in Los Angeles than by joining the ranks of those celebrity assassins, the paparazzi?
But then someone begins killing paparazzi and, being the newest ex-con on the block, she ranks as the chief suspect. If she doesn’t find the killer, the cops will book her a return ticket to prison but her investigation soon puts her at the top of the killer’s target list. So, what’s a girl to do except kick some butt?
At turns thrilling and hilarious, Killing Paparazzi roller-coasters through the sun-and-blood-soaked streets of a city and a culture obsessed with the pursuit of the celebrity.

‘There is no better protagonist than Robert Eversz’s anti-heroine Nina Zero . . . Thrilling and hilarious’ Guardian
‘Killing Paparazzi is a fast, fraught crime story . . . a great holiday read, full of dark humour’ She
‘Robert M. Eversz features a tough but personable heroine in Killing Paparazzi . . . a good storyteller, his narrative is crisp and involving’ Sunday Telegraph
‘Combined with an unforgettable heroine and a narrative style quicker and hotter than a flashbulb, it’s destined to be one of the left-field hits of the summer’ Scotland Online
‘Nina Zero has it all: she’s cute, cool, witty, talented, looks great and takes a nifty picture. And Eversz? When he’s not tickling your funny bone till you weep, he’s got your pulse rate in a strangle hold. He can also tell a brilliant yarn about Los Angeles, a city where not being famous is like being dead’ Waterstone’s Crime Online
'It's zippy stuff' Time Out
‘Eversz paints a chilling picture of an LA lifestyle that the glossy magazines don’t cover. His pace is fast, furious and funny, and wild-child Nina is as endearing as she is wayward’ Livewire
‘Nina’s first outing in Shooting Elvis was a wild, funny and hip jaunt through the LA underbelly and this new story will not, I guarantee you, disappoint fans’ Murderone.co.uk
‘Fresh and flippant entertainment . . . a street-smart, razor-sharp combination of crime fiction and Southern California social commentary’ Los Angeles Times
‘Ebullient LA-based thriller . . . Hugely enjoyable; salty, deadpan, softer-hearted than it seems and, now and then, deeply nostalgic’ Literary Review
‘Zero’s is a wonderful fictional voice . . . Eversz’s considerable talent infuses this terrific thriller with tension and feeling, and will leave readers wanting more of Nina Zero’ Washington Post
‘Eversz’s killer sense of humour and Nina’s extreme rage, toughness, and quest for justice make this smart and stylish mystery hum’ Booklist
‘Zero is a convincing ex-con, protecting her psychic turf even in her most vulnerable moments. And Eversz, who can plot up a storm, makes sure there’s a chuckle or at least a grin on almost every page’ Chicago Tribune

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Paperback - Pan (1997)
Shooting Elvis: Confessions of an Accidental Terrorist
See Review by Val McDermid - Gold Dagger winner & creator of Lindsay Gordon, Kate Brannigan & Tony Hill
See Review by Val McDermid - Gold Dagger winner & creator of Lindsay Gordon, Kate Brannigan & Tony Hill
Half an hour before the worst thing Mary Alice Baker expected was a parking ticket. But then she blew up LAX airport. By mistake.
Changing her name, her hair colour and her life, Nina Zero isn’t admitting anything . . . even to the tabloids. Nina’s no natural born killer, but an all-American girl has to stand up for her rights.
Nina’s story is the first ever road movie to race across the page and a savagely wicked confession of an accidental terrorist who ends up Shooting Elvis - and more . . .

‘Eversz’s novel reads like The Catcher in the Rye with high explosives’ Daily Telegraph
‘A thriller with complex characterization, a streak of misanthropic wit, a bleak world-weariness, and no easy answers . . . Shooting Elvis is that rare creature, a Generation X novel that skips the lifestyle accessories and goes to the heart of the malaise’ Scotsman
‘Pulp fiction run amok’ Time Out
‘A groovy little debut, and no mistake’ Melody Maker
‘Best Humorous Crime Novel, 1996: Wild, wicked and off the wall . . . Fast, frightening and very, very funny’ Val McDermid
‘It’s amazing what a new writer can do with the old routines. In his first work of crime fiction, Shooting Elvis, Robert M. Eversz took the hard-boiled formula for a terrorist-on-the-lam thriller and worked it into a feverishly hip satire of the Hollywood zeitgeist . . . With his slick style and cheeky cynicism, he is already an expert at setting heads to spinning’ New York Times
‘A winning formula... good fun’ The Times

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About The Author
In His Own Words…
I first considered writing a crime novel when, encamped in a seedy beach front motel in Santa Monica, I witnessed a man tumble out the room next to mine with his head cleaved by an axe. The man had been trying to buy drugs. The gash began somewhere above his hairline and ended abruptly at the bridge of his nose. He struggled to his feet and lurched after his assailants either in a miraculous effort of will or as proof that his brain was not a vital organ. He swayed one way and then another and pitched squarely onto the hood of my car, leaving a squeal of red as he slid to the pavement. I was going through a divorce at the time. I too felt like my head had been cleaved by an axe. I thought, This is a sign.
After the divorce I moved to Paris to write my first novel. In Paris I wrote little, drank considerably and violated with gusto Raymond Chandler's wise dictum, Never sleep with a woman who has more problems than you. After a night of drinking in a kitchy provincial disco, the woman with whom I was violating Chandler's dictum drove her Peugeot at 50 kilometers an hour into a parked car on the right. We had been arguing. She wanted to make her point with lethal force. She wore a seat belt. I did not. From my hospital bed I thought, This too is a sign.
The novelist is the one exception to the Darwinian rule of survival of the fittest. Failure is the novelist's grist. The more often his skidding heart hurtles off a cliff or he drinks himself into a single-celled organism, the better. For the novelist, repeated life-failures lead not to extinction but to inspiration. I returned to America and wrote. The detective novel that resulted was constructed no differently than most, with the private detectives being approached by a client who purports to want one thing but really desires something more devious and after a double and triple cross, a plane crash, a couple of fights, gun play, some really great sex and about a hundred wisecracks, THE END. Viking-Penguin published that novel and the next one brought a call from Hollywood.
Adapting the second novel for television turned into a true Barton Fink experience. Meetings typically took place with no less than four development executives. Just give us the book, we love the book, they said. The book they wanted contained love-struck lesbians, incest and the clever use of two Great Danes which are gutted, stuffed with a million dollars in cash and buried in a pet cemetery. I gave them the book in the first draft. They objected to my clever use of the Great Danes as cruelty to animals. I gave them less of the book in the second draft. They then objected to the incest element and in the third draft questioned the lesbianism. Not much of the book remained after the fourth draft. This is another sign, I thought.
I divided my possessions among friends and left for Prague with the idea that I could develop a more original voice in which to write crime fiction. My money soon ran out but the ideas didn't. The first novel I wrote there, Shooting Elvis, has been translated into 12 languages. It introduced the character of Nina Zero, a small town baby photographer who simultaneously blows a terminal at LAX and her small town life to shreds. She discovers in that book that her old life was based on what others expected rather than what she felt most true about herself. She reinvents herself as a paparazza in killing Paparazzi. Both books feature desperate and devious characters, car chases, fist fights, gun play, really great sex and a couple hundred wisecracks. I love genre literature, and I love even more to twist and tweak it.
California lives are about reinvention, and I think I've at last invented a life that pleases me, and books that please readers. I live in Prague still, with annual research stints in Santa Monica. Prague has given me more than I can possibly repay: a beautiful city to wander, the opportunity to write full time, and a wife, whom I love with a great and enduring passion.

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Bibliography
N.B. dates and publishers in dark red indicate British First Editions. Dates and publishers in black indicate recent reprints.

  • Killing Paparazzi: A Coming of Rage Story (Pan, 2001) Pan Pbk Jun 02 (Nina Zero)
  • Shooting Elvis: Confessions of an Accidental Terrorist (Macmillan, 1996) Pan Pbk 1997 (Nina Zero)

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